Asuraguru Full Movie Download Isaimini Moviesda Tamilyogi Tamilrockers Kuttymovies Movierulz: Vikram Prabhu, who works as a courier, and Jagan, who works in the crime branch of the police, are close friends. Vikram Prabhu often gets headaches. He goes out whenever he gets a headache and steals large sums.
So one-day hawala steals money. The matter goes to Magima Nambiar, who works at a detection agency, without going to the police. He, too, is embroiled in a serious investigation. Police are looking for Vikram Prabhu for the money stolen from the bank.
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At one point Magima finds out that Vikram Prabhu robbed her of hawala money. Did Magima finally get Vikram Prabhu caught by the police? What did Vikram Prabhu do with the looted money? Is the rest of the story of the film.
Vikram Prabhu, who played the protagonist in the film, has acted in his own style. Menacing in action scenes. Magima, who happens to be the heroine, has handled the brave character beautifully. Jagan, who happens to be a friend, and Yogi Babu, who only appears in two or three scenes, have done the work given by both. Subbaraj, who happens to be a police officer, shines in acting.
The film is one of a series of films in which heroes rob and add money. Director Rajdeep has tried to tell from a slightly different angle. If you were focused on the screenplay, you might have enjoyed the addition. Jagan and Yogibabu could have handled it even better.
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In the first scene, the man jumps on a running train and robs. In the ensuing sequel, the first half passes with anticipation as to why he is robbing and why Jagan is helping Vikram Prabhu as a policeman.
Similarly, debutant director A.Rajdeep has succeeded in trying to tell the reason why the man is robbing without losing the excitement in the new angle.
On the one hand, the thief – the police, on the other hand, the chase feature of the private detective helps to move the screenplay smoothly. Instead of portraying the robbery scenes as Enotano, they are well taken care of as the protagonist handles modernity and elegance in the most ingenious techniques.
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There is no shortage of vibrancy in the screenplay. Yet, in many places template strings test us. In particular, the pressure exerted on Mahima’s detective scenes is not on his conversion. Subbaraj’s interrogation scenes are familiar in many films. The holes that protrude are the basis for the love that appears between a friend who does not take a mentally ill friend to the doctor and a man-heroine.